obscured by fog

πš’πš πšŽπšŠπšŒπš‘ πšŠπš—πš πšŽπšŸπšŽπš›πš’ 𝚍𝚊𝚒
πš πšŽπš›πšŽ πš“πšžπšœπš πšπš‘πšŽ πšœπšŠπš–πšŽ
πš‘πš˜πš  πšŒπšŠπš— 𝚠𝚎 πš›πšŽπšπš›πšŠπš’πš—
πšπš›πš˜πš– πšπš‘πšŽ πš–πšžπš—πšπšŠπš—πšŽ
πšπš‘πšŠπš πšπš˜πš•πš•πš˜πš πšœ πšŠπš—πš πš™πšžπš›πšœπšžπšŽπšœ
𝚊𝚜 πš›πš˜πšžπšπš’πš—πšŽπšœ πš˜πšπšπšŽπš— 𝚍𝚘
πšŠπš—πš πš–πšŠπš”πšŽ πš—πš˜ πšœπš™πšŠπšŒπšŽ
πšπš˜πš› πšŽπš‘πš™πšŽπš›πš’πšŽπš—πšŒπšŽπšœ πšŠπš—πšŽπš 
πšπš‘πšŽ πšœπš™πš˜πš—πšπšŠπš—πšŽπš˜πšžπšœ πš–πš˜πš–πšŽπš—πšπšœ
𝚜𝚘 πš›πšŽπšπšžπšŒπšŽπš
𝚝𝚘 πšπš’πš—πš’ πš—πšŠπš—πš˜ πšœπšŽπšŒπš˜πš—πšπšœ
πš˜πšπšπšŽπš— πš–πš’πšœπšœπšŽπš
𝚊 πš™πš›πšŽπšŒπš’πš˜πšžπšœ πšπš’πšπš
πš—πš˜πš  πšŠπšπš›πš’πšπš
πš•πš’πš”πšŽ πš–πš˜πšœπš πšπš›πšŽπšŠπšœπšžπš›πšŽ
πšπš‘πšŠπšβ€™πšœ πš•πš˜πšœπš πšŠπš—πš πš‘πš’πš
πš‹πšžπš›πš’πšŽπš πšπšŽπšŽπš™
πš πš’πšπš‘ πš“πšžπšœπš 𝚊 πšœπš˜πš—πš
𝚘𝚏 πšπšŽπš—πšπš•πšŽ πš–πšŽπš–πš˜πš›πš’
𝚘𝚏 πš πš‘πšŠπš πš˜πš—πšŒπšŽ 𝚠𝚊𝚜
πš˜πš—πšŒπšŽ πš‹πš›πš’πšπš‘πš πšŠπš—πš πšŒπš•πšŽπšŠπš›
πš˜πš‹πšœπšŒπšžπš›πšŽπš πš‹πš’ 𝚏𝚘𝚐

my backpack

πš–πš’ πš‹πšŠπšŒπš”πš™πšŠπšŒπš”, πš’πš πš‘πšŠπšœ πš‘πš˜πš•πšŽπšœ
πšπš‘πšŠπš πš—πšŽπšŽπš πšœπš˜πš–πšŽ πš™πšŠπšπšŒπš‘πš’πš—πš πšžπš™.
πš‹πšŽπšπš˜πš›πšŽ πš’ πšπšŠπš”πšŽ πš’πš πšŠπš—πš’πš πš‘πšŽπš›πšŽ
πš’πš—πšŒπšŠπšœπšŽ πšπš‘πšŽ πš›πšŠπš’πš—πšœ 𝚍𝚘 πšœπšπšŠπš›πš.

πš‹πšžπš πšπš‘πšŽπšœπšŽ πš‘πš˜πš•πšŽπšœ πšπšŽπš•πš• 𝚊 πšœπšπš˜πš›πš’,
πšŽπšŸπšŽπš›πš’ πš πšŽπšŠπš› πšŠπš—πš πšŽπšŸπšŽπš›πš’ πšπšŽπšŠπš›.
𝚘𝚏 πšžπš—πšŽπšŸπšŽπš— πš™πšŠπšπš‘πšœ πš•πšŽπšœπšœ πšπš›πš˜πšπšπšŽπš—
πšŠπš—πš πš–πš’πšœπšŠπšπšŸπšŽπš—πšπšžπš›πšŽπšœ πšπšŠπš›πšŽπš.

πšπš‘πšŽ πšœπšŒπšŠπš›πšœ πšπšŽπš•πš• 𝚞𝚜 𝚊 πšœπšπš˜πš›πš’
𝚘𝚏 πšŽπš‘πš™πšŽπš›πš’πšŽπš—πšŒπšŽπšœ πšŽπš—πšπšžπš›πšŽπš.
πšœπš˜πš–πšŽπšπš’πš–πšŽπšœ πšπš‘πšŽπš’ πšŠπš›πšŽ πš‘πšŠπš™πš™πš’,
πšŠπš—πš πš˜πšπš‘πšŽπš›πšœ πš—πš˜πš 𝚜𝚘 𝚐𝚘𝚘𝚍.

πš‹πšžπš πšπš‘πšŠπš πš’πšœ πš“πšžπšœπš πšπš‘πšŽ 𝚠𝚊𝚒 𝚘𝚏 πšπš‘πš’πš—πšπšœ,
πšŠπš—πš πš πš‘πšŠπš πš•πš’πšπšŽ πš‘πšŠπšœ 𝚝𝚘 πš˜πšπšπšŽπš›.
πš˜πšžπš› πšπšŠπš•πšŽπšœ 𝚘𝚏 πšŸπšžπš•πš—πšŽπš›πšŠπš‹πš’πš•πš’πšπš’,
πšŠπš—πš πš‘πšŽπšŠπš›πšπšœ πšπš‘πšŠπš πšœπš˜πš–πšŽπšπš’πš–πšŽπšœ πšπšŠπš•πšπšŽπš›.

provenance

consider the pencil
i hold in my hand
and the decades of growing
now torn from the land
like a babe ripped
from its mother’s breast
what life had to end
for this page that i hold
so that i might scribe poems
with words so bold

and so, what does make a home

and can we make one anywhere?
and what about belonging,

do blades of grass belong?
taken for granted and stepped on,

and what about the daisies,
ripped up and made into chains?

does a tree ever dream
of forests far away?

is the hermit grab grateful
for no fixed address?

and is the swift yearning to land,
and crying for rest?

is the mountain growing to see
what lies beyond the seas?

and so, what does make a home,
and can we make one anywhere?

THE CONDUIT

i am not an artist,

i am a conduit.

a demonic infestation,

is wanting

to be let inside.

it whispers to me,

softly, “let me in.”

banging.

banging.

banging.

oppression, followed

by the possession,

begging for an exorcism.

the most diabolical haunting,

the voices, they echo,

the walls, pounding –

willing me to listen.

the yellow wallpaper,

moving, telling stories.

and the illustrated man

sleeps.

dark corners, become alive.

everything looks so different

in the darkness.

pick up the instrument,

command it to move.

one stroke, and then

another.

is it fate,

or fluke?

magic

or genius?

i am being played with.

a voodoo doll,

violently shaken

like a rag.

the mortal pawn,

for the universe’s

divine hand.

THE VOID

i know we all

fall into it,

believing our things

will somehow change

how we feel about

ourselves.

that we’ll magically

be happier,

better put together,

complete.

but it’s never

the answer.

that vast expanse

inside,

that dark void

will linger.

the emptiness

shall never be filled.

not until you look

at it, i mean

really look at it.

stare into it.

face it like a foe

or a friend.

a demon that

can only be

vanquished

or conquered

by being fully

accepted and

acknowledged

and risen

above.

THREADS OF AN OLD LIFE

they told us to just

β€œgo back”

like it was nothing

and everything was going

to be fine.

and it would all be

β€œnormal.”

β€œlet’s just get back,

y’know,

to the way things were.”

and what way is that,

exactly?

run into the ground.

weak.

exhausted.

completely burnt out.

although,

i did try

at first,

to simulate

a life vaguely resembling

the one I remembered.

gathering those

old threads

to weave

into something

new.

but the result was patchy

and threadbare.

what was once deemed

beautiful, now ugly.

something else was

mixed and woven

into my skin.

and the more i

resisted, the more it

pulled and tugged and

bled, as i refused to

accept the foreigner

that was squatting inside

me like a toad.

dark days realised.

but i needed

leverage to reach

the blue dome above.

and to land on jagged

rocks at the bottom is often

the only escape.

you can always look up

when you’re down

and witness the vast

expanse of

studded stars.

BROKEN PALACES

i walk towards broken palaces

like ivory towers

in the distance, castles covering the falling stars

that cascade onto crumbling sand dunes.

my heart it shatters like glass

but that doesn’t stop me from

running so fast towards you –

away from you

and into the dark forest where it is always

night but no moonlight

shines, only the illumination of

my soul that throws a glow

of enchanted curiosity.

what was it that led me here?

what was the spark that ignited

the fires? as the clouds gathered

overhead and turned silver

like swans.

what electricity travels through me

and who is even writing now?

if i stop the magic stops;

like water not flowing, rivers not running

and i know i’ll never stand still,

like a shark constantly swimming

to avoid dying,

and all the king’s horses,

and all the kings men,

could never put me back

together again.

and when it rains i cry

and it cries when i reign.

but i am no queen, like a pauper

i am

begging outside these stone walls that we built

pleading for your time

and your mercy.