the lighthouse

Beneath a moon that forgets its name, the cliff hums —

a low, sea-bone lullaby where gulls have no eyes.

The lighthouse stands like a tooth in the throat of night,

its glass mouth breathing fog into a world that misremembers.

Mist unspools from the island like old fishing nets,

tangled with the rubbed-out footprints of the vanished.

Wind scrawls hieroglyphs across the masonry; the stones

answer in the language of small, obstinate echoes.

Inside the lamp a slow heartbeat keeps vigil,

not of brass or flame but of something stitched from midnight.

Sometimes it opens like an eye and shows the ocean

as a ledger of memories— names ledgered and crossed out.

Boats arrive with no captains, their ropes knotted with silence.

They carry trunks of unsent letters and teeth that still count,

they carry mirrors that reflect yesterday’s weather,

and children who speak the weather’s secret names.

On certain tides the cliff exhales a chapel of bells:

salt-wet bells toll for anniversaries that never happened.

Shadows leave the lighthouse at dawn to seek their owners,

and sometimes come back changed, carrying seaweed in their mouths.

There are rooms in the tower where clocks grow mold and melt,

where maps redraw themselves into constellations of regret.

A portrait of a woman who never lived leans toward the stairs,

and if you touch her frame a tide will answer you in vowless speech.

The keepers — if keepers can be called those who keep absence —

polish the lens with hands that leave behind small, slow constellations.

They read aloud from weathered books, hymns no one taught them,

and sometimes the words bloom into gulls that forget how to fly.

At the edge the fog arranges its crooked altar,

placing objects it finds on the pews of the cliff: a child’s shoe,

a broken compass that points toward what someone once wished for.

The island listens, and in the listening the sea writes its will.

Late, when the lamp opens like a mouth to swallow the dark,

the lighthouse names the lost with a light that trembles.

Each name becomes a ripple, a small comet of salt,

and the mist, like a patient audience, applauds in silence.

If you come alone, do not ask the stones for directions.

If you listen, do not answer the wind when he asks your age.

The island remembers everything it never owned,

and the lighthouse keeps turning its slow, patient eye.

Here, time forgets to be straight. Here, ghosts sleep in earthen jars,

and the moon sometimes arrives in a boat, barefoot, humming.

Stay only long enough to learn the lighthouse’s true trade:

it does not guide ships home — it teaches them how to forget.

Morning mist

The air, a breath of autumn’s chilling grace,

A whisper crisp, across the morning’s face.

I walked within the fog, a ghostly shroud,

Where earth met sky, and sight was disallowed.

The mist, a river woven in the air,

I swam through dreams, where silence held its prayer.

Each step a hush, upon the dampened ground,

No other soul within this realm was found.

The trees emerged, like phantoms in the haze,

Their branches bare, from summer’s golden days.

A sense of loss, within the vapor clung,

As nature’s mournful melody was sung.

And in that space, where reality seemed frail,

I felt the touch of autumn’s haunting veil.

A lonely beauty, in the misty gleam,

Adrift within an ethereal, waking dream.

Morning walk

The morning moves like a memory,

air thinning into a brittle hymn —

autumn sharpening its breath

into silver teeth.

I walk through a river of fog,

each step swallowed by damp velvet,

worlds folding inward like pages;

my heartbeat muddled, buoyed.

Leaves, hushed as drowned birds,

etch dark maps on the wet ground.

A distant rooster sounds like a clock

ticked under water.

My coat gathers ghosts of the mist;

each exhalation dissolves

into something that remembers

how to be alone.

Between the trees, a pale light

bleeds like an old secret,

and for a long slow moment

the world is neither gone nor here.

here’s to October

The end of summer is not the end of the world.

Here’s to October — when the light grows thin

and evenings stitch themselves with hush and gold,

and breath turns smoky, tasting of tin

and last-ripe apples clinging to the bough.

Leaves, like old letters, curl and fold away,

their margins browned by time’s impartial burn.

The sun, a tired coin, slips from the day;

shadows lengthen, whispering their turn.

Yet in the hollowing hush there is no grief alone.

Frost writes fine signatures on the grass overnight,

a jeweller’s trembling on the sleeping green.

Hedges, braided in the blue of fading light,

hold memories of summer, bright and keen —

not dead, only reclining under October’s song.

Candles gather courage in window-smoke,

and porches keep their lanterns’ steady guard.

Children trace the air with breath like folk

who map the dark with laughter — bold, unmarred.

The world keeps spinning, patient as bone and root.

Hear the oak’s vast pulse slow but not undone;

it stores the summer in the marrowed dark.

The hedgehog pads along the lane — begun

is winter’s quiet ledger, small and stark.

October is a ledger, not a last ledger.

So raise a glass to shorter days and stars

that sharpen like an old, remembered pain.

We carry summer folded in our arms

and press it to our ribs when cold winds drain

the warmth from porch and field. The world endures.

Here’s to October: bruised, beloved, austere,

its breath a map of things we did not know —

the hush, the harvest, all the secret near,

the gentle dim that teaches us to grow.

The end of summer is not doom; it is arrival.

this morning

this morning

i hear the frogs again.

birds and insects

join them in song.

these things hold us

up in life, things to write

and draw and observe.

the things for us to 

walk amongst. 

sparrow

𝚜𝚙𝚊𝚛𝚛𝚘𝚠 𝚘𝚗 𝚖𝚢 𝚠𝚒𝚗𝚍𝚘𝚠𝚜𝚒𝚕𝚕
𝚕𝚘𝚘𝚔𝚒𝚗𝚐 𝚒𝚗, 𝚠𝚑𝚒𝚕𝚜𝚝 𝚒
𝚕𝚘𝚘𝚔 𝚘𝚞𝚝.
𝚜𝚞𝚖𝚖𝚎𝚛 𝚜𝚞𝚗 𝚋𝚎𝚊𝚝𝚒𝚗𝚐
𝚛𝚎𝚕𝚎𝚗𝚝𝚕𝚎𝚜𝚜𝚕𝚢 𝚘𝚗 𝚝𝚑𝚎 𝚐𝚕𝚊𝚜𝚜 𝚙𝚊𝚗𝚎.
𝚒 𝚠𝚊𝚗𝚝 𝚝𝚘 𝚕𝚎𝚝 𝚝𝚑𝚎 𝚋𝚒𝚛𝚍 𝚒𝚗𝚜𝚒𝚍𝚎
𝚊𝚗𝚍 𝚐𝚒𝚟𝚎 𝚒𝚝 𝚜𝚑𝚎𝚕𝚝𝚎𝚛 𝚏𝚛𝚘𝚖 𝚝𝚑𝚎 𝚑𝚎𝚊𝚝,
𝚋𝚞𝚝 𝚝𝚑𝚊𝚝’𝚜 𝚗𝚘𝚝 𝚑𝚘𝚠 𝚠𝚒𝚕𝚍 𝚝𝚑𝚒𝚗𝚐𝚜 𝚠𝚘𝚛𝚔.
𝚝𝚑𝚎 𝚜𝚙𝚊𝚛𝚛𝚘𝚠 𝚍𝚘𝚎𝚜𝚗’𝚝 𝚌𝚘𝚗𝚜𝚒𝚍𝚎𝚛 𝚖𝚎.
𝚜𝚑𝚎 𝚒𝚜 𝚊𝚏𝚝𝚎𝚛 𝚊 𝚜𝚙𝚒𝚍𝚎𝚛 𝚜𝚙𝚒𝚗𝚗𝚒𝚗𝚐 𝚒𝚝𝚜 𝚠𝚎𝚋
𝚒𝚗 𝚝𝚑𝚎 𝚌𝚘𝚛𝚗𝚎𝚛 𝚘𝚏 𝚝𝚑𝚎 𝚏𝚛𝚊𝚖𝚎.
𝚝𝚑𝚎 𝚜𝚙𝚊𝚛𝚛𝚘𝚠 𝚕𝚎𝚊𝚟𝚎𝚜
𝚊𝚗𝚍 𝚒 𝚊𝚖 𝚕𝚎𝚏𝚝 𝚠𝚒𝚝𝚑 𝚝𝚑𝚎 𝚊𝚋𝚜𝚎𝚗𝚌𝚎 𝚘𝚏
𝚋𝚒𝚛𝚍 𝚊𝚗𝚍 𝚜𝚙𝚒𝚍𝚎𝚛 𝚊𝚕𝚒𝚔𝚎.

we

we are the land.

we are the memories.

we are the stories.

these rivers do flow,
in our blood.

watching the magic

we wore feathers
and danced in starlight.
our language was that of
luminosity and crystal castles.
we hung diamonds from tree
branches, like earrings
and watched them swing
like pendulums
in the wind.
the rivers, they knew us
and the moon, she smiled
watching the magic
beneath her.

my backpack

𝚖𝚢 𝚋𝚊𝚌𝚔𝚙𝚊𝚌𝚔, 𝚒𝚝 𝚑𝚊𝚜 𝚑𝚘𝚕𝚎𝚜
𝚝𝚑𝚊𝚝 𝚗𝚎𝚎𝚍 𝚜𝚘𝚖𝚎 𝚙𝚊𝚝𝚌𝚑𝚒𝚗𝚐 𝚞𝚙.
𝚋𝚎𝚏𝚘𝚛𝚎 𝚒 𝚝𝚊𝚔𝚎 𝚒𝚝 𝚊𝚗𝚢𝚠𝚑𝚎𝚛𝚎
𝚒𝚗𝚌𝚊𝚜𝚎 𝚝𝚑𝚎 𝚛𝚊𝚒𝚗𝚜 𝚍𝚘 𝚜𝚝𝚊𝚛𝚝.

𝚋𝚞𝚝 𝚝𝚑𝚎𝚜𝚎 𝚑𝚘𝚕𝚎𝚜 𝚝𝚎𝚕𝚕 𝚊 𝚜𝚝𝚘𝚛𝚢,
𝚎𝚟𝚎𝚛𝚢 𝚠𝚎𝚊𝚛 𝚊𝚗𝚍 𝚎𝚟𝚎𝚛𝚢 𝚝𝚎𝚊𝚛.
𝚘𝚏 𝚞𝚗𝚎𝚟𝚎𝚗 𝚙𝚊𝚝𝚑𝚜 𝚕𝚎𝚜𝚜 𝚝𝚛𝚘𝚍𝚍𝚎𝚗
𝚊𝚗𝚍 𝚖𝚒𝚜𝚊𝚍𝚟𝚎𝚗𝚝𝚞𝚛𝚎𝚜 𝚍𝚊𝚛𝚎𝚍.

𝚝𝚑𝚎 𝚜𝚌𝚊𝚛𝚜 𝚝𝚎𝚕𝚕 𝚞𝚜 𝚊 𝚜𝚝𝚘𝚛𝚢
𝚘𝚏 𝚎𝚡𝚙𝚎𝚛𝚒𝚎𝚗𝚌𝚎𝚜 𝚎𝚗𝚍𝚞𝚛𝚎𝚍.
𝚜𝚘𝚖𝚎𝚝𝚒𝚖𝚎𝚜 𝚝𝚑𝚎𝚢 𝚊𝚛𝚎 𝚑𝚊𝚙𝚙𝚢,
𝚊𝚗𝚍 𝚘𝚝𝚑𝚎𝚛𝚜 𝚗𝚘𝚝 𝚜𝚘 𝚐𝚘𝚘𝚍.

𝚋𝚞𝚝 𝚝𝚑𝚊𝚝 𝚒𝚜 𝚓𝚞𝚜𝚝 𝚝𝚑𝚎 𝚠𝚊𝚢 𝚘𝚏 𝚝𝚑𝚒𝚗𝚐𝚜,
𝚊𝚗𝚍 𝚠𝚑𝚊𝚝 𝚕𝚒𝚏𝚎 𝚑𝚊𝚜 𝚝𝚘 𝚘𝚏𝚏𝚎𝚛.
𝚘𝚞𝚛 𝚝𝚊𝚕𝚎𝚜 𝚘𝚏 𝚟𝚞𝚕𝚗𝚎𝚛𝚊𝚋𝚒𝚕𝚒𝚝𝚢,
𝚊𝚗𝚍 𝚑𝚎𝚊𝚛𝚝𝚜 𝚝𝚑𝚊𝚝 𝚜𝚘𝚖𝚎𝚝𝚒𝚖𝚎𝚜 𝚏𝚊𝚕𝚝𝚎𝚛.