the cage that tells me

πšπš‘πšŽ 𝚌𝚊𝚐𝚎 πšπš‘πšŠπš πšπšŽπš•πš•πšœ πš–πšŽ
πšŠπš‹πš˜πšžπš πš‘πšŽπš› πš•πš˜πšŸπšŽ πšŠπšπšπšŠπš’πš›πšœ
πš πš’πšπš‘ πšπš‘πšŽ πšŒπšŠπš—πšŠπš›πš’.
πšπš‘πšŽ πš™πš˜πš˜πš› πš–πš˜πš˜πš—,
𝚝𝚘 πš πš‘πš’πšŒπš‘ πšπš‘πšŽ πšπš’πš™πšœπš’πšŽπšœ
πšœπšπš’πš•πš• πšœπš’πš—πš, πšŠπš—πš πšπš‘πšŽ
𝚜𝚠𝚎𝚎𝚝 πš–πš˜πš˜πš— πš’πš— πš–πš’ πšŒπš•πš˜πšœπšŽπš,
πš•πšŽπš πšπš‘πšŽπš– πšπšŽπš•πš• πš–πšŽ πšœπš˜πš–πšŽπšπš‘πš’πš—πš,
πš•πšŽπš πšπš‘πšŽπš– πšœπš™πšŽπšŠπš” 𝚝𝚘 πš–πšŽ πš’πš—
πš–πšŽπšπšŠπš™πš‘πš˜πš›πšœ, 𝚊𝚜 πšπš‘πšŽπš’ 𝚜𝚊𝚒 πšπš‘πšŽπš’ πšœπš™πšŽπšŠπš”,
πšπš‘πš’πšœ πš πš’πš—πšŽ πš’πšœ πš‹πš’πšπšπšŽπš›,
πšžπš—πšπšŽπš› πš–πš’ πšπš˜πš—πšπšžπšŽ,
πš’ πš‘πšŠπšŸπšŽ 𝚊 πš‹πšŽπšŽπšπš•πšŽ.

sparrow

πšœπš™πšŠπš›πš›πš˜πš  πš˜πš— πš–πš’ πš πš’πš—πšπš˜πš πšœπš’πš•πš•
πš•πš˜πš˜πš”πš’πš—πš πš’πš—, πš πš‘πš’πš•πšœπš πš’
πš•πš˜πš˜πš” 𝚘𝚞𝚝.
πšœπšžπš–πš–πšŽπš› πšœπšžπš— πš‹πšŽπšŠπšπš’πš—πš
πš›πšŽπš•πšŽπš—πšπš•πšŽπšœπšœπš•πš’ πš˜πš— πšπš‘πšŽ πšπš•πšŠπšœπšœ πš™πšŠπš—πšŽ.
πš’ πš πšŠπš—πš 𝚝𝚘 πš•πšŽπš πšπš‘πšŽ πš‹πš’πš›πš πš’πš—πšœπš’πšπšŽ
πšŠπš—πš πšπš’πšŸπšŽ πš’πš πšœπš‘πšŽπš•πšπšŽπš› πšπš›πš˜πš– πšπš‘πšŽ πš‘πšŽπšŠπš,
πš‹πšžπš πšπš‘πšŠπšβ€™πšœ πš—πš˜πš πš‘πš˜πš  πš πš’πš•πš πšπš‘πš’πš—πšπšœ πš πš˜πš›πš”.
πšπš‘πšŽ πšœπš™πšŠπš›πš›πš˜πš  πšπš˜πšŽπšœπš—β€™πš πšŒπš˜πš—πšœπš’πšπšŽπš› πš–πšŽ.
πšœπš‘πšŽ πš’πšœ πšŠπšπšπšŽπš› 𝚊 πšœπš™πš’πšπšŽπš› πšœπš™πš’πš—πš—πš’πš—πš πš’πšπšœ πš πšŽπš‹
πš’πš— πšπš‘πšŽ πšŒπš˜πš›πš—πšŽπš› 𝚘𝚏 πšπš‘πšŽ πšπš›πšŠπš–πšŽ.
πšπš‘πšŽ πšœπš™πšŠπš›πš›πš˜πš  πš•πšŽπšŠπšŸπšŽπšœ
πšŠπš—πš πš’ πšŠπš– πš•πšŽπšπš πš πš’πšπš‘ πšπš‘πšŽ πšŠπš‹πšœπšŽπš—πšŒπšŽ 𝚘𝚏
πš‹πš’πš›πš πšŠπš—πš πšœπš™πš’πšπšŽπš› πšŠπš•πš’πš”πšŽ.

behold

behold the sea of absence,
behold the sea of centuries,
my blood kneeling on a
sunken tree,
and the arm of my anguish
pouring out into the
warm air.

lady of light

lady of light,
i command you,
i beg you,
hear me speak with unvoice,
hear what i have unsaid,
with this love i love you,
with this i curse you,
the knife in my back,
broken.

when night came

πš πš‘πšŽπš— πš—πš’πšπš‘πš πšŒπšŠπš–πšŽ,
πš’ πšœπš–πšŽπš•πš•πšŽπš πšπš‘πšŠπš πš–πš’ πš‘πšŠπš—πšπšœ
πšœπš–πšŽπš•πš•πšŽπš πš•πš’πš”πšŽ πšπš‘πšŽ πš—πš’πšπš‘πš.
πš‘πšŽ 𝚠𝚊𝚜 πš’πš— πšπš‘πšŽ 𝚌𝚊𝚟𝚎
πš πš‘πšŽπš›πšŽ πšπš‘πšŽ πšœπš™πš’πšπšŽπš› 𝚘𝚏 πšπšŽπš›πš›πš˜πš›
𝚠𝚎𝚊𝚟𝚎𝚜 πšπš‘πšŽ πš‘πš˜πšžπš›πšœ πš˜πš— πš‹πš’πšπšπšŽπš› πš‹πš˜πš—πšŽπšœ
πšπš‘πšŽπš›πšŽ πš•πš˜πš—πšŽπš•πš’πš—πšŽπšœπšœ πšŽπš‘πš’πšœπšπšŽπš πš’πš— πš™πš’πšŽπšŒπšŽπšœ.
πš’πš πš πšŠπšœπš—β€™πš πš–πšŽ,
πš’πš πšŒπš˜πšžπš•πš πš‹πšŠπš›πšŽπš•πš’ πš‹πšŽ πš–πšŽ,
πš–πšŠπš’πš‹πšŽ πš’ 𝚠𝚊𝚜 πš‹πš’ πš–πš’ πšœπš’πšπšŽ,
πšπš‘πšŽπš›πšŽ πš πšŽπš›πšŽ πš–πšŠπš—πš’, πš•πš˜πšœπš,
πš‘πš˜πš™πšŽπš•πšŽπšœπšœ, πš’πš— πšπšŠπš›πš” πš‹πš•πš˜πš˜πš
πšπš‘πšŽπš’ πš›πšŠπš— 𝚝𝚘 πšπš’πšŽ,
πšπš‘πšŽπš’ πš›πšŠπš— πš πš’πšπš‘ πš‹πš›πš˜πš”πšŽπš— πšœπš”πšŽπš•πšŽπšπš˜πš—πšœ
πš‹πšŽπšπš˜πš›πšŽ πš›πšŽπšŠπšŒπš‘πš’πš—πš πšπš‘πšŽ πš›πšŠπšŸπš’πš—πšŽ 𝚘𝚏 πšœπš•πšŽπšŽπš™
πšπš‘πšŽπš›πšŽ πš’πšœ 𝚊 πš›πšŽπš πš•πš’πšπš‘πš πšπš‘πšŠπš πš‹πš˜πš’πš•πšœ
πš›πšŽπšœπšπš•πšŽπšœπšœπš•πš’,
πšŽπš•πšŸπšŽπšœ πšŠπš—πš πšπš˜πš‹πš•πš’πš—πšœ πšŒπš˜πš–πšŽ πšŠπš—πš
𝚌𝚞𝚝 πšπš‘πšŽ πšŽπš’πšŽπš•πš’πšπšœ πš πš’πšπš‘ πšœπšŒπš’πšœπšœπš˜πš›πšœ.
𝚊𝚝 πšπšŠπš πš— πš—πš˜ πš˜πš—πšŽ πšŠπš›πš›πš’πšŸπšŽπšœ
πš‹πšžπš πš‹πš’πš›πš πšπš‘πš›πš˜πšŠπšπšœ πš πšŽπš›πšŽ πšŒπš˜πš–πš’πš—πš.
πš’ 𝚠𝚊𝚜 πšπš‘πšŽπš›πšŽ, πš‘πš’πšπš’πš—πš πš πšŽπšŠπš”πš•πš’
πšŠπš–πš˜πš—πšπšœπš πšπš‘πšŽ πš•πšŽπšŠπšŸπšŽπšœ 𝚘𝚏 πšπš‘πšŽ
πš™πšžπš›πš™πš•πšŽ πšŠπš’πš›.
πš’ πšπšŽπš•πš• πš πš‘πšŠπš πš’ πš•πšŽπšŠπš›πš—πšŽπš,
πš•πš’πš”πšŽ πš πš‘πšŽπš— πš’ πšœπš‘πšŠπšπšŽπš 𝚊 πšπš›πšŽπšŽ.
πš’ 𝚜𝚊𝚒 πš πš‘πšŠπš πš’ πš‘πšŠπš πšπš˜πš›πšπš˜πšπšπšŽπš—,
πšœπš’πš—πšŒπšŽ πšπš‘πšŽπš— πš–πš’ πš‘πšŽπšŠπš›πš 𝚠𝚊𝚜 πš‹πšŠπš›πšŽπšπš˜πš˜πš.

don’t tell me where my eyes are

πšπš˜πš—β€™πš πšπšŽπš•πš• πš–πšŽ πš πš‘πšŽπš›πšŽ πš–πš’ 𝚎𝚒𝚎𝚜 πšŠπš›πšŽ,
πšŠπšœπš” πš πš‘πšŽπš›πšŽ πš–πš’ πš‘πšŽπšŠπš›πš πš’πšœ πšπš˜πš’πš—πš.
πš’ πš πš’πš•πš• πš•πšŽπšŠπšŸπšŽ 𝚒𝚘𝚞 πš˜πš—πšŽ πšπš‘πš’πš—πš πšπš‘πšŽ πš•πšŠπšœπš 𝚍𝚊𝚒,
πšπš‘πšŽ πš–πš˜πšœπš πšžπšœπšŽπš•πšŽπšœπšœ πšŠπš—πš πš–πš˜πšœπš πš‹πšŽπš•πš˜πšŸπšŽπš
πšπš‘πš’πš—πš πšŠπš‹πš˜πšžπš πš–πš’πšœπšŽπš•πš,
πšπš‘πšŽ πš˜πš—πšŽ πšπš‘πšŠπš πš’πšœ πš–πšŽ πšŠπš—πš πš–πš˜πšŸπšŽπšœ,
πš’πš–πš–πš˜πš‹πš’πš•πšŽ πšπš˜πš› πšπš‘πšŽπš—,
πšπšŽπšπš’πš—πš’πšπš’πšŸπšŽπš•πš’ πš‹πš›πš˜πš”πšŽπš—.
πš‹πšžπš πš’ πš πš’πš•πš• πšŠπš•πšœπš˜ πš•πšŽπšŠπšŸπšŽ 𝚒𝚘𝚞 πš πš’πšπš‘ 𝚊 πš πš˜πš›πš,
πšπš‘πšŽ πš˜πš—πšŽ πš’ πš‘πšŠπšŸπšŽ πš—πš˜πš πšœπšŠπš’πš πš‘πšŽπš›πšŽ,
πšžπšœπšŽπš•πšŽπšœπšœ, πš‹πšŽπš•πš˜πšŸπšŽπš.
πš—πš˜πš  πšπš‘πšŽ πšœπšžπš— πš’πšœ πš‹πšŠπšŒπš” 𝚝𝚘 πš•πšŽπšŠπšŸπšŽ 𝚞𝚜.
πšπš‘πšŽ πšŠπšπšπšŽπš›πš—πš˜πš˜πš— 𝚐𝚎𝚝𝚜 πšπš’πš›πšŽπš,
πš›πšŽπšœπšπšœ πš˜πš— πšπš‘πšŽ πšπš›πš˜πšžπš—πš, 𝚐𝚎𝚝𝚜 πš˜πš•πš.
πšπš’πšœπšπšŠπš—πš πšπš›πšŠπš’πš—πšœ, πšŸπš˜πš’πšŒπšŽπšœ,
πšŽπšŸπšŽπš— πš‹πšŽπš•πš•πšœ πš›πš’πš—πš.
πš—πš˜πšπš‘πš’πš—πš πš‘πšŠπšœ πš‘πšŠπš™πš™πšŽπš—πšŽπš.

my heart sets out

my heart sets out
from my body to your
last journey
sprout of light,
water of the ages that
is born in you.
lost.

come to my thirst.
now after all.
before.
come to my long thirst
entertained in mouths,
scarce springs.

at last

he came, at last, to my hope.
around his eyes, brief, infinite,
knowing nothing.
it is agile and clean like the
tender wind of the early morning,
cheerful and soft and deep as
grass under water.
he gets sad sometimes
with that mural sadness
that makes quick idols on his face
and draws worried ghosts.

i think it’s like a little girl
asking an old lady things,
like a giddy donkey
entering a city,
full of straw.
he also has a mature woman
who suddenly frightens his gaze
and moves inside him and
bites his insides with tears.

rat race

πš πš˜πšžπš•πš 𝚒𝚘𝚞 πš›πšžπšœπš‘ 𝚊 πšπš•πš˜πš πšŽπš›,
πšπš›πš’πš’πš—πš 𝚝𝚘 πš‹πš•πš˜πš˜πš–?

πš—πš˜πš πšŽπšŸπšŽπš›πš’πšπš‘πš’πš—πš πš πš’πšœπš‘πšŽπšœ
𝚝𝚘 πš›πšŠπšŒπšŽ πšŠπš—πš πš£πš˜πš˜πš–

πš‹πšŽπšŒπšŠπšžπšœπšŽ πšπš‘πšŽ πš πšŠπšπšŽπš› πš’πšœ πš›πšžπš—πš—πš’πš—πš
𝚒𝚘𝚞 πš πš’πšœπš‘ πš–πšŽ 𝚝𝚘 πš™πš’πšŒπš” πšžπš™ πš–πš’ πš™πšŠπšŒπšŽ

πš’ πšπš˜πš—β€™πš πšŒπšŠπš›πšŽ πšπš˜πš› πš™πšžπšœπš‘πš’πš—πš πšŠπš—πš πšœπš‘πš˜πšŸπš’πš—πš
𝚜𝚘 πš™πš•πšŽπšŠπšœπšŽ πšπš’πšŸπšŽ πš–πšŽ πšœπš˜πš–πšŽ πšœπš™πšŠπšŒπšŽ.

πš—πš˜ πš˜πš—πšŽ πšŠπšœπš”πšŽπš πšπš‘πšŽ 𝚜𝚎𝚊 𝚝𝚘 πš–πš˜πšŸπšŽ πš–πš˜πšžπš—πšπšŠπš’πš—πšœ
πš˜πš› πšπš‘πšŽ πšœπšžπš— 𝚝𝚘 πšœπš•πš˜πš  πšπš˜πš πš— πšπš‘πšŽ πš πš’πš—πš

πš πš‘πš’ πšœπš‘πš˜πšžπš•πš πš’ πš‘πšžπšœπšπš•πšŽ πšŠπš—πš πš‹πšžπšœπšπš•πšŽ
πšŠπš—πš πš›πšžπš— πšπš‘πšŽ πš›πšŠπšŒπšŽ πš˜πš—πš•πš’ 𝚒𝚘𝚞 πš πš’πšœπš‘ 𝚝𝚘 πš πš’πš—

we

we are the land.

we are the memories.

we are the stories.

these rivers do flow,
in our blood.