don’t tell me where my eyes are

πšπš˜πš—β€™πš πšπšŽπš•πš• πš–πšŽ πš πš‘πšŽπš›πšŽ πš–πš’ 𝚎𝚒𝚎𝚜 πšŠπš›πšŽ,
πšŠπšœπš” πš πš‘πšŽπš›πšŽ πš–πš’ πš‘πšŽπšŠπš›πš πš’πšœ πšπš˜πš’πš—πš.
πš’ πš πš’πš•πš• πš•πšŽπšŠπšŸπšŽ 𝚒𝚘𝚞 πš˜πš—πšŽ πšπš‘πš’πš—πš πšπš‘πšŽ πš•πšŠπšœπš 𝚍𝚊𝚒,
πšπš‘πšŽ πš–πš˜πšœπš πšžπšœπšŽπš•πšŽπšœπšœ πšŠπš—πš πš–πš˜πšœπš πš‹πšŽπš•πš˜πšŸπšŽπš
πšπš‘πš’πš—πš πšŠπš‹πš˜πšžπš πš–πš’πšœπšŽπš•πš,
πšπš‘πšŽ πš˜πš—πšŽ πšπš‘πšŠπš πš’πšœ πš–πšŽ πšŠπš—πš πš–πš˜πšŸπšŽπšœ,
πš’πš–πš–πš˜πš‹πš’πš•πšŽ πšπš˜πš› πšπš‘πšŽπš—,
πšπšŽπšπš’πš—πš’πšπš’πšŸπšŽπš•πš’ πš‹πš›πš˜πš”πšŽπš—.
πš‹πšžπš πš’ πš πš’πš•πš• πšŠπš•πšœπš˜ πš•πšŽπšŠπšŸπšŽ 𝚒𝚘𝚞 πš πš’πšπš‘ 𝚊 πš πš˜πš›πš,
πšπš‘πšŽ πš˜πš—πšŽ πš’ πš‘πšŠπšŸπšŽ πš—πš˜πš πšœπšŠπš’πš πš‘πšŽπš›πšŽ,
πšžπšœπšŽπš•πšŽπšœπšœ, πš‹πšŽπš•πš˜πšŸπšŽπš.
πš—πš˜πš  πšπš‘πšŽ πšœπšžπš— πš’πšœ πš‹πšŠπšŒπš” 𝚝𝚘 πš•πšŽπšŠπšŸπšŽ 𝚞𝚜.
πšπš‘πšŽ πšŠπšπšπšŽπš›πš—πš˜πš˜πš— 𝚐𝚎𝚝𝚜 πšπš’πš›πšŽπš,
πš›πšŽπšœπšπšœ πš˜πš— πšπš‘πšŽ πšπš›πš˜πšžπš—πš, 𝚐𝚎𝚝𝚜 πš˜πš•πš.
πšπš’πšœπšπšŠπš—πš πšπš›πšŠπš’πš—πšœ, πšŸπš˜πš’πšŒπšŽπšœ,
πšŽπšŸπšŽπš— πš‹πšŽπš•πš•πšœ πš›πš’πš—πš.
πš—πš˜πšπš‘πš’πš—πš πš‘πšŠπšœ πš‘πšŠπš™πš™πšŽπš—πšŽπš.

my heart sets out

my heart sets out
from my body to your
last journey
sprout of light,
water of the ages that
is born in you.
lost.

come to my thirst.
now after all.
before.
come to my long thirst
entertained in mouths,
scarce springs.

at last

he came, at last, to my hope.
around his eyes, brief, infinite,
knowing nothing.
it is agile and clean like the
tender wind of the early morning,
cheerful and soft and deep as
grass under water.
he gets sad sometimes
with that mural sadness
that makes quick idols on his face
and draws worried ghosts.

i think it’s like a little girl
asking an old lady things,
like a giddy donkey
entering a city,
full of straw.
he also has a mature woman
who suddenly frightens his gaze
and moves inside him and
bites his insides with tears.

we

we are the land.

we are the memories.

we are the stories.

these rivers do flow,
in our blood.

watching the magic

we wore feathers
and danced in starlight.
our language was that of
luminosity and crystal castles.
we hung diamonds from tree
branches, like earrings
and watched them swing
like pendulums
in the wind.
the rivers, they knew us
and the moon, she smiled
watching the magic
beneath her.

my backpack

πš–πš’ πš‹πšŠπšŒπš”πš™πšŠπšŒπš”, πš’πš πš‘πšŠπšœ πš‘πš˜πš•πšŽπšœ
πšπš‘πšŠπš πš—πšŽπšŽπš πšœπš˜πš–πšŽ πš™πšŠπšπšŒπš‘πš’πš—πš πšžπš™.
πš‹πšŽπšπš˜πš›πšŽ πš’ πšπšŠπš”πšŽ πš’πš πšŠπš—πš’πš πš‘πšŽπš›πšŽ
πš’πš—πšŒπšŠπšœπšŽ πšπš‘πšŽ πš›πšŠπš’πš—πšœ 𝚍𝚘 πšœπšπšŠπš›πš.

πš‹πšžπš πšπš‘πšŽπšœπšŽ πš‘πš˜πš•πšŽπšœ πšπšŽπš•πš• 𝚊 πšœπšπš˜πš›πš’,
πšŽπšŸπšŽπš›πš’ πš πšŽπšŠπš› πšŠπš—πš πšŽπšŸπšŽπš›πš’ πšπšŽπšŠπš›.
𝚘𝚏 πšžπš—πšŽπšŸπšŽπš— πš™πšŠπšπš‘πšœ πš•πšŽπšœπšœ πšπš›πš˜πšπšπšŽπš—
πšŠπš—πš πš–πš’πšœπšŠπšπšŸπšŽπš—πšπšžπš›πšŽπšœ πšπšŠπš›πšŽπš.

πšπš‘πšŽ πšœπšŒπšŠπš›πšœ πšπšŽπš•πš• 𝚞𝚜 𝚊 πšœπšπš˜πš›πš’
𝚘𝚏 πšŽπš‘πš™πšŽπš›πš’πšŽπš—πšŒπšŽπšœ πšŽπš—πšπšžπš›πšŽπš.
πšœπš˜πš–πšŽπšπš’πš–πšŽπšœ πšπš‘πšŽπš’ πšŠπš›πšŽ πš‘πšŠπš™πš™πš’,
πšŠπš—πš πš˜πšπš‘πšŽπš›πšœ πš—πš˜πš 𝚜𝚘 𝚐𝚘𝚘𝚍.

πš‹πšžπš πšπš‘πšŠπš πš’πšœ πš“πšžπšœπš πšπš‘πšŽ 𝚠𝚊𝚒 𝚘𝚏 πšπš‘πš’πš—πšπšœ,
πšŠπš—πš πš πš‘πšŠπš πš•πš’πšπšŽ πš‘πšŠπšœ 𝚝𝚘 πš˜πšπšπšŽπš›.
πš˜πšžπš› πšπšŠπš•πšŽπšœ 𝚘𝚏 πšŸπšžπš•πš—πšŽπš›πšŠπš‹πš’πš•πš’πšπš’,
πšŠπš—πš πš‘πšŽπšŠπš›πšπšœ πšπš‘πšŠπš πšœπš˜πš–πšŽπšπš’πš–πšŽπšœ πšπšŠπš•πšπšŽπš›.

what is a weed?

πš“πšžπšœπš πšŠπš—πš˜πšπš‘πšŽπš› πš•πš’πšπšŽ πšπš›πš˜πš πš’πš—πš
πš’πš— πšŠπš— πšžπš—πš πšŠπš—πšπšŽπš πš•πš˜πšŒπšŠπšπš’πš˜πš—.
πš—πšŽπš’πšπš‘πšŽπš› 𝚊 πšœπš™πšŽπšŒπš’πšŽπšœ
πš˜πš› πšπšŽπš—πšžπšœ 𝚘𝚏 πš™πš•πšŠπš—πš.
πšπšŽπšπš’πš—πšŽπš πš˜πš—πš•πš’ πš‹πš’ πš’πšπšœ πš™πš›πšŽπšœπšŽπš—πšŒπšŽ,
πšŒπš•πšŠπšœπšœπš’πšπš’πšŒπšŠπšπš’πš˜πš—: πšžπš—πšπšŽπšœπš’πš›πšŽπš
πš’πš— 𝚊 πš–πšŠπš—πš’πšŒπšžπš›πšŽπš πšπšŠπš›πšπšŽπš—,
πš•πšŠπš πš— πšπš’πšŽπš•πš πš˜πš› πšπš˜πš•πš πšŒπš˜πšžπš›πšœπšŽ.

πš—πšŽπšŸπšŽπš› πš–πš’πš—πš πšπš‘πšŠπš πš’πš πšπš•πš˜πš πšŽπš›πšœ
πšŠπš—πš πšŠπšπšπš›πšŠπšŒπšπšœ πšπš’πš›πšŽπš πš‹πšŽπšŽπšœ
πšœπšŽπšŽπš”πš’πš—πš πš›πšŽπš™πš˜πšœπšŽ.
πš—πšŽπšŸπšŽπš› πš–πš’πš—πš πš’πšπšœ πš πš’πšπšŽ πš•πšŽπšŠπšŸπšŽπšœ
πšœπš‘πšŽπš•πšπšŽπš›πš’πš—πš πšœπš•πšžπš–πš‹πšŽπš›πš’πš—πš πšœπš˜πšžπš•πšœ,
πš—πš˜.
πš“πšžπšœπš πšŠπš—πš˜πšπš‘πšŽπš› πšžπš—πš πšŠπš—πšπšŽπš πšπš‘πš’πš—πš,
π™Ύπš— πš–πšŠπš—β€™πšœ πš–πšŠπš—πš’πšŒπšžπš›πšŽπš πšŽπšŠπš›πšπš‘.

picking strawberries

i was sad to see them
wrapped in plastic
after picking them
so freely in the fields
all those years ago.

a girl and her basket,
nose blushed by the sun,
ribbons snapping
in the wind,

mosquito bites and
the hum of bees
as golden light
cast shadows
across tall grass.

in the distance, laughter.
innocence, yet to be taken