in moonstones and opals

An aura of moonstone, 

a ghostly pale gleam,

Her eyes like opals, 

lost in a silent dream.

Luna skies are saying, 

with stories untold,

And starry constellations, 

like legends of old.

Coral reefs shimmer, 

in heavens so vast,

A jasmine perfume, 

from a sorrowful past.

A halo of white, 

in the silvery air,

Shimmery waters, 

reflecting despair.

Beneath the celestial night, 

shadows creep slow,

Where remnants of heartache 

forever will flow.

A haunting reminder, 

of love turned to dust,

In moonstone and opals,

And all turned to dust 

the lighthouse

Beneath a moon that forgets its name, the cliff hums —

a low, sea-bone lullaby where gulls have no eyes.

The lighthouse stands like a tooth in the throat of night,

its glass mouth breathing fog into a world that misremembers.

Mist unspools from the island like old fishing nets,

tangled with the rubbed-out footprints of the vanished.

Wind scrawls hieroglyphs across the masonry; the stones

answer in the language of small, obstinate echoes.

Inside the lamp a slow heartbeat keeps vigil,

not of brass or flame but of something stitched from midnight.

Sometimes it opens like an eye and shows the ocean

as a ledger of memories— names ledgered and crossed out.

Boats arrive with no captains, their ropes knotted with silence.

They carry trunks of unsent letters and teeth that still count,

they carry mirrors that reflect yesterday’s weather,

and children who speak the weather’s secret names.

On certain tides the cliff exhales a chapel of bells:

salt-wet bells toll for anniversaries that never happened.

Shadows leave the lighthouse at dawn to seek their owners,

and sometimes come back changed, carrying seaweed in their mouths.

There are rooms in the tower where clocks grow mold and melt,

where maps redraw themselves into constellations of regret.

A portrait of a woman who never lived leans toward the stairs,

and if you touch her frame a tide will answer you in vowless speech.

The keepers — if keepers can be called those who keep absence —

polish the lens with hands that leave behind small, slow constellations.

They read aloud from weathered books, hymns no one taught them,

and sometimes the words bloom into gulls that forget how to fly.

At the edge the fog arranges its crooked altar,

placing objects it finds on the pews of the cliff: a child’s shoe,

a broken compass that points toward what someone once wished for.

The island listens, and in the listening the sea writes its will.

Late, when the lamp opens like a mouth to swallow the dark,

the lighthouse names the lost with a light that trembles.

Each name becomes a ripple, a small comet of salt,

and the mist, like a patient audience, applauds in silence.

If you come alone, do not ask the stones for directions.

If you listen, do not answer the wind when he asks your age.

The island remembers everything it never owned,

and the lighthouse keeps turning its slow, patient eye.

Here, time forgets to be straight. Here, ghosts sleep in earthen jars,

and the moon sometimes arrives in a boat, barefoot, humming.

Stay only long enough to learn the lighthouse’s true trade:

it does not guide ships home — it teaches them how to forget.

the portrait

The portrait hangs where dust gathers slow,

In corridor twilight, half-lit and low—

A face unblinking behind glass that breathes

With the hush of curtains and the hush of eaves.

Eyes like wells of varnished night,

Mirrors that swallow candlelight,

They keep the hours between two ticks,

Counting secrets in the floorboards’ ticks.

The frame remembers hands gone cold,

Carved with names the tongue won’t hold;

Paint peels like memory from bone,

A smile stitched to a windless moan.

At midnight the wallpaper leans and listens,

The house inhales and darkness christens

Each footstep into softer air,

Each whisper braided with its stare.

Sometimes the portrait tilts its head

When rooms declare the living dead;

Sometimes a lock of painted hair

Unthreads itself into the stair.

It knows the rhythm of abandoned clocks,

The lullaby of shuttered knocks,

It knows the shape of absence well—

A hollow where a heart once fell.

If you pass beneath that patient gaze,

Feel how the past loops through its maze;

The portrait keeps the house awake,

Breeding echoes no dawn can break.

Listen: the hush becomes a sound—

A breath, a name, a hollowed ground—

And in that frame, forever sealed,

A ghost keeps vigil, unrevealed.

Morning mist

The air, a breath of autumn’s chilling grace,

A whisper crisp, across the morning’s face.

I walked within the fog, a ghostly shroud,

Where earth met sky, and sight was disallowed.

The mist, a river woven in the air,

I swam through dreams, where silence held its prayer.

Each step a hush, upon the dampened ground,

No other soul within this realm was found.

The trees emerged, like phantoms in the haze,

Their branches bare, from summer’s golden days.

A sense of loss, within the vapor clung,

As nature’s mournful melody was sung.

And in that space, where reality seemed frail,

I felt the touch of autumn’s haunting veil.

A lonely beauty, in the misty gleam,

Adrift within an ethereal, waking dream.

Morning walk

The morning moves like a memory,

air thinning into a brittle hymn —

autumn sharpening its breath

into silver teeth.

I walk through a river of fog,

each step swallowed by damp velvet,

worlds folding inward like pages;

my heartbeat muddled, buoyed.

Leaves, hushed as drowned birds,

etch dark maps on the wet ground.

A distant rooster sounds like a clock

ticked under water.

My coat gathers ghosts of the mist;

each exhalation dissolves

into something that remembers

how to be alone.

Between the trees, a pale light

bleeds like an old secret,

and for a long slow moment

the world is neither gone nor here.

moonstone and opals

Moonstone and opals—an argent breath at dusk,

Aura of moonstone, cold and quietly brusque.

Eyes like opals, depth turning shadows to song,

Luna skies unravel, long and opaline, long.

Starry constellations hang like corals in the night,

Silent reefs of silver that lick at the light.

A jasmine hush drifts from hedgerows half-seen,

Sweet as a memory, sharp as what’s been.

White joy, a pale lantern trembling on the shore,

Shimmering waters keep secrets and more.

They answer in ripples, in echoes undone—

The moon and the jasmine and nowhere to run.

upon the breeze

Upon the breeze, a tiny frame,

wings still, a fading, gilded name.

Sweet nectar’s longing, tongue outstretched,

a final sip, a world detached.

Within frail petals, softly laid,

a garden vigil, gently swayed.

The sun descends, a crimson stain,

earth claims her own, in soft, sweet rain.

here’s to October

The end of summer is not the end of the world.

Here’s to October — when the light grows thin

and evenings stitch themselves with hush and gold,

and breath turns smoky, tasting of tin

and last-ripe apples clinging to the bough.

Leaves, like old letters, curl and fold away,

their margins browned by time’s impartial burn.

The sun, a tired coin, slips from the day;

shadows lengthen, whispering their turn.

Yet in the hollowing hush there is no grief alone.

Frost writes fine signatures on the grass overnight,

a jeweller’s trembling on the sleeping green.

Hedges, braided in the blue of fading light,

hold memories of summer, bright and keen —

not dead, only reclining under October’s song.

Candles gather courage in window-smoke,

and porches keep their lanterns’ steady guard.

Children trace the air with breath like folk

who map the dark with laughter — bold, unmarred.

The world keeps spinning, patient as bone and root.

Hear the oak’s vast pulse slow but not undone;

it stores the summer in the marrowed dark.

The hedgehog pads along the lane — begun

is winter’s quiet ledger, small and stark.

October is a ledger, not a last ledger.

So raise a glass to shorter days and stars

that sharpen like an old, remembered pain.

We carry summer folded in our arms

and press it to our ribs when cold winds drain

the warmth from porch and field. The world endures.

Here’s to October: bruised, beloved, austere,

its breath a map of things we did not know —

the hush, the harvest, all the secret near,

the gentle dim that teaches us to grow.

The end of summer is not doom; it is arrival.

an island’s shore

An island’s shore, a life complete,

Rituals etched, a steady beat.

Yet whimsy dances, light and free,

Blind to where horizons be.

My lodestone guides, a silent call,

Apart I walk, beyond the wall.

Each day’s blur, a dream grown faint,

Till stillness found, a writer’s plaint.

In scents and moments, small and deep,

A hidden pact, the soul to keep.

Returning home, where words reside,

Before the vision starts to hide.

this morning

this morning

i hear the frogs again.

birds and insects

join them in song.

these things hold us

up in life, things to write

and draw and observe.

the things for us to 

walk amongst.